by Anne Waack As the 2026 award season unfolds, film audiences are once again celebrating the artistry of cinematography. Lighting, framing, and camera movement shape how stories feel. They can…
by Sarah Baumgartner The following blog post was originally published on The REBOOT project website. “How can European cinema remain competitive in a rapidly changing global landscape?” The REBOOT research…
by Sarah Baumgartner The following blog post was originally published on The REBOOT project website. “Culture is the ‘factory of dissent,’ which is essential to a pluralistic democracy.” Culture does…
by Sarah Baumgartner The following blog post was originally published on The REBOOT project website. From October 9 to 10, 2025, I had the opportunity to attend my very first…
by Natalia Sineokaia At last year’s Cannes Film Festival, one of the most discussed films was The Substance (2024) — a body-horror drama that shocked audiences and critics alike. Its…
by Angeliki Chatziefraimidou The following blog post was originally published on The Reboot Project website. In recent years, academic interest has focused on informal settings such as workshops, extracurricular activities,…
by Simon Haslauer The following blog post was originally published on The Reboot Project website. The unity of teaching and research has long been a defining principle of higher education,…
by Elisa Stadlbauer The following blog post was originally published on The REBOOT Project website. In der glamourösen Welt des Films, wo Glitzer und Glamour die Leinwand beherrschen, verbirgt sich…
by Louisa Zehndner The following blog post was originally published on The Reboot Project website. „Momentan sieht es so aus, dass die Zukunft des österreichischen Films jung und weiblich ist.“…
by Sarah Baumgartner The following blog post was originally published on The Reboot Project website. Seit über einem Jahrhundert zeichnet sich die Welt des Kinos und Films als gesellschaftlicher Begleiter…
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